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supported by 8 fans who also own “Odwołany lot do Tel Avivu”
The first track is a bit of an outlier, perhaps connecting back to earlier albums where jazz foundations lead the way, before going all out berserk with the beats, beats, and beats. Bass and electronics are now the mainstays over the hip-hop influenced rhythms. But the horns are still layered back in with style. I initially passed this over, but the Szlam / Ścieki tracks blew my socks off and in desperation for more, I was led back to this. I can't wait to see where Błoto go next.
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supported by 6 fans who also own “Odwołany lot do Tel Avivu”
Post-Rock as a genre is having a bit of a Renaissance as of late, and Ciśnienie is sat securely at the forefront. Over a period of only 5 years, Ciśnienie has proven themselves to have a truly original sound, taking the classic cliches of the post-rock genre and twisting and contorting them into a Frankenstein of pumbling jazz and krautrock. Nobody is doing what Ciśnienie is doing now. Do not let yourself miss out on them.
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supported by 6 fans who also own “Odwołany lot do Tel Avivu”
Bloto is a Jazz band... I love psychedelic music and also KRAUTROCK, and I think there is also a bit of that in Bloto. The title JASMIN is beautiful and hypnotic.
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Revved-up and totally askew post-punk from Buffalo’s Ismatic Guru, with guitars that corkscrew like mad.
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Hologram EP
by A Place To Bury Strangers
New York's loudest post-punks return with a raw and brutally propulsive EP on their own label.
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Os Segredos Do Espaço e Tempo
by Futuro
Sao Paulo's Futuro return with another high-energy, perfectly rough-around-the-edges punk EP that effortlessly balances melody and speed.
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supported by 5 fans who also own “Odwołany lot do Tel Avivu”
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